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Free for Commercial Use

Sans Superellipse Rakey 2 is a regular weight, very narrow, low contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'CF Blast Gothic' by Fonts.GR, 'Neue Helvetica' by Linotype, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Brecksville' by OzType. (names referenced only for comparison).

Keywords: headlines, posters, editorial, branding, packaging, modern, condensed, neutral, functional, space saving, clarity, modern utility, strong hierarchy, tall, clean, rounded, compact, crisp.


Free for commercial use
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A tall, tightly proportioned sans with compact widths and consistent, low-contrast strokes. Curves are built from smooth, rounded-rectangle geometry, giving bowls and counters a controlled, superelliptical feel rather than fully circular forms. Terminals are mostly blunt and squared-off with subtly softened corners, and the overall rhythm is straight, vertical, and economical. Numerals follow the same condensed construction, with simple, open shapes and clear interior counters.

Best suited for headlines, subheads, captions, and space-constrained layouts where a condensed voice helps fit more characters per line. It can also work well in branding and packaging that needs a clean, contemporary impact, and in editorial settings where a tall, compact sans provides strong hierarchy.

The font reads as modern and pragmatic, with a cool, matter-of-fact tone suited to information-forward typography. Its condensed stance and restrained detailing lend it an editorial and utilitarian character rather than playful or decorative.

The design appears intended to deliver a space-efficient, contemporary sans voice with rounded-rectilinear construction that stays clean and controlled in display and short text. Its geometry and restrained contrast suggest a focus on legibility and consistent texture rather than expressive calligraphic detail.

The narrow set width creates strong vertical emphasis and a compact texture in lines of text. Uppercase forms feel assertive and poster-ready, while lowercase maintains clarity through open apertures and straightforward joins.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸