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Sans Superellipse Ornej 14 is a bold, narrow, low contrast, upright, tall x-height font visually similar to 'Acumin' by Adobe, 'FF Good Headline' by FontFont, 'Trade Gothic Next' by Linotype, 'RF Rufo' by Russian Fonts, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, industrial, athletic, condensed, confident, utilitarian, impact, space saving, clarity, durability, modern branding, squared-round, blocky, compact, high impact, poster-friendly.


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This typeface is built from compact, squared-off curves and rounded-rectangle counters, giving letters a superelliptical, punchy silhouette. Strokes stay largely uniform, with broad, flattened terminals and minimal modulation, producing a steady, dense texture in text. Proportions are vertically emphatic with tight interior spaces and short ascenders/descenders relative to the overall cap height, and spacing appears tuned for a firm, compressed rhythm. Round characters (O, C, G, e) read as squarish ovals, while diagonals (A, V, W, X) are thick and stable, reinforcing a sturdy, engineered feel.

Best suited to headlines, subheads, posters, and branding systems that benefit from a compact footprint and strong presence. It can work well for signage, packaging, and product marks where durable letterforms and quick recognition are priorities. For extended small-size text, its dense color and tight counters may call for generous leading or careful size selection.

The overall tone is assertive and workmanlike, with a contemporary, no-nonsense voice. Its compact, blocky shapes suggest signage, equipment labeling, and modern branding where clarity and impact matter more than delicacy. The squared-round geometry adds a subtly technical, manufactured character without feeling playful or decorative.

The design intent appears focused on delivering high-impact readability through condensed proportions and squared-round geometry. Its uniform stroke behavior and simplified forms aim for consistency across letters and numbers, supporting bold, practical communication in modern display contexts.

Digits are heavy and compact, designed to hold their shape at display sizes; counters are relatively tight, which heightens impact but can darken in long passages. The lowercase maintains a strong, simplified construction with sturdy joins, and the font keeps a consistent visual color across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸