Sans Superellipse Vutu 2 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: headlines, branding, posters, ui display, packaging, futuristic, tech, industrial, sci-fi, precision, tech aesthetic, system labeling, geometric branding, display impact, rounded corners, squared bowls, octagonal curves, tight apertures, horizontal terminals.
A geometric sans built from rounded-rectangle/superellipse forms, with consistently thick strokes and softened corners throughout. Curves resolve into squarish bowls and boxy counters, producing a compact, engineered silhouette; round letters like O and Q read as rounded squares, and C/G use clipped, bracket-like openings. Terminals are predominantly flat and horizontal, with occasional angled joins in V/W/K that add a faceted rhythm. Spacing is even and sturdy, and the overall texture stays dense and uniform in text, helped by generous x-height and simplified interior shapes.
Best suited to display contexts where its geometric voice can be appreciated: tech branding, game/film titles, product marks, packaging, and interface or device-style headings. It can work for short UI labels and signage when set large enough to preserve the tight apertures and squarish counters.
The design conveys a futuristic, hardware-forward tone—clean, efficient, and slightly mechanistic. Its rounded geometry keeps the voice friendly enough to avoid harshness, but the squared counters and tight apertures still feel technical and controlled, like interface labeling or product engraving.
The letterforms appear designed to translate the logic of rounded-rectangular industrial design into type: consistent stroke weight, squared counters, and controlled openings that produce a compact, modern texture. The overall intention reads as a contemporary techno display sans optimized for strong presence and a distinctive, system-like identity.
Distinctive superellipse construction is especially noticeable in O/Q/0 and in the rectangular counters of D/P/R. Several glyphs use narrowed openings (notably C, G, S, and e), which strengthens the ‘closed’ industrial feel but can reduce clarity at smaller sizes; it reads best when given room and scale.