Print Tyrol 2 is a regular weight, narrow, medium contrast, upright, normal x-height font.
Keywords: packaging, posters, headlines, children’s, social graphics, playful, friendly, hand-drawn, casual, retro, human warmth, casual clarity, playful display, handmade feel, rounded, soft terminals, quirky, informal, lively.
This font uses unconnected, hand-drawn letterforms with a narrow overall footprint and gently irregular rhythm. Strokes read as monoline-to-slightly-modulated, with rounded corners and softly blunted terminals that keep shapes approachable rather than sharp. Curves are slightly asymmetric and counters are compact, giving letters a bouncy, organic texture while maintaining consistent alignment and clear silhouettes. Uppercase forms are simple and condensed, while lowercase introduces more personality through varied bowls and ascenders, contributing to a subtly uneven, handwritten cadence in text.
Well suited to short to medium-length copy where an informal, personable tone is desired, such as packaging, café menus, posters, and social media graphics. It can also work for branding accents and headings that benefit from a friendly handwritten feel, especially when set with generous line spacing to let the tall, narrow forms breathe.
The overall tone feels casual and upbeat, with a friendly, approachable personality that suggests a human touch. Its mild quirks and rounded shaping evoke a nostalgic, analog vibe—more like neat marker lettering than formal typography. In longer text it stays readable while still projecting an informal, conversational character.
The design appears intended to provide a legible, condensed handwritten print style that balances consistency with small, human irregularities. It aims to deliver a warm, approachable voice while remaining tidy enough for repeated use in display text and casual editorial settings.
Spacing appears relatively tight and the narrow proportions create efficient lines that feel tall and airy. Distinct numeral shapes and straightforward capitals support quick recognition, while the slightly idiosyncratic curves prevent the design from feeling mechanical. The texture becomes more noticeable at larger sizes where the hand-drawn nuances read as intentional charm.