Sans Contrasted Lomeg 5 is a light, normal width, medium contrast, upright, normal x-height font.
Keywords: editorial, book text, magazines, branding, packaging, refined, modern classic, calm, literary, readability, refinement, modernize classic, quiet personality, editorial tone, tapered terminals, open apertures, humanist, graceful, crisp.
This typeface presents a clean, serifless construction with gently tapered stroke endings that give the forms a subtly calligraphic finish. Curves are smooth and round, with open counters and apertures (notably in letters like c, e, and s) that keep the rhythm airy at text sizes. The uppercase feels measured and slightly formal, while the lowercase shows humanist influence in its softer joins and moderated, readable shapes. Numerals are clear and traditionally proportioned, aligning visually with the text and maintaining consistent spacing and color.
It performs well in editorial design, long-form reading, and magazine layouts where a clean, cultivated voice is desired. The restrained character also suits branding systems and packaging that need sophistication without overt ornament, and it can serve comfortably for headings and subheads in content-heavy interfaces or print materials.
The overall tone is polished and literary, combining modern simplicity with a quiet sense of tradition. It reads as composed and trustworthy rather than loud or quirky, making it well suited to content-forward settings where typographic refinement matters.
The design appears intended to bridge contemporary sans clarity with a more classic, typographic warmth through tapered terminals and moderated proportions. It aims for a balanced texture on the page—legible, even, and quietly distinctive—rather than a purely neutral utilitarian look.
The letterforms favor clarity over geometric rigidity, with subtle modulation and terminal shaping that adds character without becoming decorative. Round letters maintain even optical balance, and diagonals (such as in V, W, and X) feel crisp while staying harmonious with the softer curves elsewhere.