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Sans Superellipse Ogkob 6 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Coastal' by Arkitype, 'Explorer' by Fenotype, 'RF Rufo' by Russian Fonts, 'Denso' by Stefano Giliberti, and 'Chigo' by Umka Type (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, industrial, condensed, assertive, utilitarian, retro, space saving, high impact, robustness, modern utility, blocky, rounded corners, compact, high contrast (mass/whit, sturdy.


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A compact, heavy sans with a tall, tightly set skeleton and rounded-rectangle construction throughout. Strokes are consistently thick and largely monoline, with softened outer corners and gently squared curves that keep bowls and counters feeling engineered rather than geometric. Terminals tend to be blunt and vertical, and the overall rhythm is tight, producing strong vertical emphasis and efficient use of space. Numerals and capitals share the same sturdy, condensed proportions, with rounded interior corners that help maintain legibility at display sizes.

Best suited for headlines and short, impactful text where density and presence are desirable—posters, packaging, labels, wayfinding, and bold brand wordmarks. It can work for brief blocks of copy at larger sizes, but its heavy, condensed texture is most effective when used sparingly and with generous spacing.

The tone is bold and no-nonsense, with an industrial, sign-paint and labeling feel. Its compressed stance and chunky forms read confident and attention-seeking, while the rounded corners add a touch of friendliness that prevents it from feeling harsh.

The design appears intended to deliver maximum visual impact in minimal horizontal space, using rounded-rectangle geometry to stay cohesive and highly recognizable across letters and numerals. It prioritizes a strong silhouette, consistent stroke weight, and a robust texture appropriate for display and signage contexts.

Curves are constructed as superellipse-like rounded rectangles, giving letters such as O, C, D, and G a squarish softness. The lowercase maintains a straightforward, workmanlike structure, and the overall texture in paragraphs stays dark and punchy with minimal sparkle.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸