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Sans Normal Omlim 15 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Foro Sans' by Hoftype, 'Binate' by Monotype, and 'Core Sans N SC' and 'Core Sans NR' by S-Core (names referenced only for comparison).

Keywords: headlines, branding, posters, ui labels, signage, modern, friendly, confident, clean, straightforward, clarity, impact, versatility, modern utility, approachability, geometric, rounded, compact, monoline, high legibility.


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A compact, geometric sans with heavy, even strokes and rounded bowls that keep counters open and stable. Curves read as near-circular in letters like O/C/Q, while straight-sided forms (H, N, M) stay rigid and upright, creating a firm rhythm. Terminals are mostly flat with crisp joins, and diagonals (V, W, X, Y) are sharp and clean rather than calligraphic. The lowercase is simple and utilitarian, with a single-storey a and g, short ascenders/descenders relative to the cap height, and punctuation-like dots that read clearly at display sizes. Numerals are sturdy and wide, with smooth curves in 6/8/9 and a simple, vertical 1.

Performs best in headlines, short paragraphs, and bold typographic statements where its compact geometry and open counters stay crisp. It suits branding and packaging that needs a modern, friendly presence, and works well for UI labels, navigation, and signage where immediate recognition is important.

The overall tone is contemporary and approachable, combining assertive weight with rounded geometry that feels friendly rather than harsh. It conveys clarity and confidence, making it feel pragmatic, modern, and broadly usable across brand and interface contexts.

Likely designed to provide a dependable, contemporary sans optimized for strong visual impact while remaining approachable. The consistent geometry and simple lowercase forms suggest an emphasis on clarity, efficiency, and versatile everyday use in modern layouts.

Spacing appears measured and slightly tight in display text, emphasizing a compact, punchy texture. The design leans more geometric than humanist, with consistent stroke behavior and minimal optical quirks, prioritizing clarity and uniformity over expressive modulation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸