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Free for Commercial Use

Shadow Rafe 1 is a very light, wide, low contrast, italic, normal x-height font.

Keywords: posters, headlines, album art, game titles, sci‑fi branding, ethereal, sci‑fi, experimental, playful, ghostly, futuristic display, glitch texture, outline emphasis, motion cue, monoline, outline, inline breaks, airy, angular curves.


Free for commercial use
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A monoline, slanted display face built from segmented strokes that read as an outline with intermittent gaps and small offset fragments. Curves are drawn as open arcs rather than fully closed loops, and many joins are intentionally separated, giving each glyph a cut, floating construction. Terminals are rounded to slightly squared, with a consistent stroke thickness and generous internal white space. The overall rhythm is loose and sketchlike, with irregular stroke continuity that becomes part of the design’s texture.

Best suited to display contexts such as posters, covers, titles, and short wordmarks where the segmented outline and shadowed fragments can be appreciated. It works well for sci‑fi, nightlife, and experimental branding, and can add a distinctive voice to game UI headings or event graphics. For longer passages, larger sizes and generous line spacing help maintain clarity.

The broken, offset stroke behavior gives the font a spectral, hovering feel—part neon outline, part technical scribble. Its slant and airy construction suggest motion and futurism, while the gaps and shadow-like echoes add a mysterious, glitchy character. The tone is more expressive than formal, leaning toward inventive and otherworldly.

The design appears intended to reinterpret an italicized sans structure through a hollowed, shadowed construction, emphasizing negative space and broken continuity as the primary stylistic motif. By turning strokes into separated arcs and offset echoes, it aims to create a lightweight, futuristic display texture that feels animated and atmospheric.

In text, the repeated openings in bowls and counters create a distinctive flicker across lines, especially in rounded letters and numerals. Spacing appears intentionally open, helping the fragmented strokes remain legible, though the visual noise increases at smaller sizes. The design rewards larger settings where the cut-outs and offset details can be read as deliberate structure rather than missing ink.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸