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Free for Commercial Use

Serif Flared Reso 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'CA Zentrum' by Cape Arcona Type Foundry, 'Salda' by Hurufatfont, and 'MVB Embarcadero' by MVB (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, mastheads, confident, classic, editorial, assertive, formal, impact, heritage, display, robustness, distinctiveness, flared, wedge serif, ink-trap, round terminals, bracketed feel.


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A heavy, high-impact serif with flared stroke endings that widen into wedge-like terminals rather than blunt slabs. The forms are compact and strongly modeled, mixing broad curves with crisp, cut-in joins; several letters show small notches and ink-trap-like cavities where strokes meet. Uppercase shapes are sturdy and slightly condensed in feel, with a blocky E/F/T and rounder C/G/O, while the lowercase is robust with a double-storey a, large bowls, and short, thick serifs that read as chiseled. Numerals match the weight and stance, with bold, rounded counters and strong footing that keeps them steady at display sizes.

Best suited to headlines, mastheads, packaging, and brand marks where its weight and flared serifs can read as intentional character rather than texture. It can also work for short editorial display lines, pull quotes, and signage, especially when set with comfortable spacing to preserve counter clarity.

The overall tone is bold and authoritative, combining traditional serif cues with a punchy, poster-ready presence. Its flared terminals and sculpted joins add a slightly vintage, engraved flavor, but the extreme weight keeps the voice modern and attention-grabbing.

The design appears intended as a commanding display serif that blends classical wedge-serif DNA with modern, heavy proportions for strong visual impact. The flared terminals and ink-trap-like detailing suggest an aim for robustness and distinctiveness in large-size typography.

The rhythm is driven by dense black shapes and relatively tight internal counters, so it holds together best when given some breathing room in tracking and line spacing. Curved letters (C, G, S, 2, 3) emphasize broad, swelling strokes, while angular joins (K, V, W, X) are cut sharply, reinforcing a carved, monumental feel.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸