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Free for Commercial Use

Sans Other Lemil 5 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Nu Sans' by Typecalism Foundryline (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, comics, playful, quirky, hand-cut, posterish, comic, handmade feel, display impact, playful tone, quirky branding, chunky, irregular, organic, bouncy, compressed.


Free for commercial use
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This typeface uses heavy, compact forms with low internal counters and an intentionally uneven silhouette. Strokes are largely monolinear, but edges show subtle kinks, angled terminals, and asymmetric joins that create a hand-cut, slightly wobbly rhythm. Curves are blunt and simplified, with squared-off transitions that keep the shapes dense and graphic. Spacing and widths vary from glyph to glyph, adding a lively, irregular texture across words while maintaining an overall upright stance.

Best used for short, high-impact settings such as posters, headlines, packaging callouts, and playful branding. It can work well for labels, stickers, and display copy where an informal, handmade feel is desired. For longer passages, it is most effective when given generous size and spacing to keep the texture from becoming heavy.

The overall tone feels energetic and informal, with a mischievous, cartoon-leaning personality. Its roughened geometry and inconsistent details suggest handmade signage or cut-paper lettering rather than engineered neutrality. The result is bold and attention-seeking, suited to playful, characterful messaging.

The design appears intended to deliver a bold display voice with a handcrafted, slightly offbeat construction. Its uneven terminals and compressed, chunky forms prioritize personality and visual punch over strict regularity, making it a strong choice for expressive, informal typography.

Capitals read as blocky and poster-driven, while the lowercase introduces more bounce through tall ascenders and simplified bowls. Numerals match the same chunky, cut-out construction, keeping a cohesive color in mixed text. At smaller sizes the dense counters and irregular outlines can build strong texture, while at larger sizes the quirky edge behavior becomes a defining feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸