Sans Superellipse Libo 1 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Moldr' and 'Moldr Thai' by Deltatype, 'B52' by Komet & Flicker, and 'Revx Neue' and 'Revx Neue Rounded' by OneSevenPointFive (names referenced only for comparison).
Keywords: ui labels, signage, branding, posters, packaging, techy, friendly, retro, utility, playful, modernize, soften geometry, systemic consistency, improve clarity, rounded, squarish, geometric, compact, soft corners.
A rounded geometric sans built from squarish, superellipse-like forms with generously softened corners and a steady, monoline stroke. Counters are wide and rectangular-oval, giving letters like O, D, and P a structured, modular feel. Terminals are blunt and rounded rather than tapered, and joins stay clean and mechanical, producing a compact rhythm with clear silhouettes in both uppercase and lowercase. Numerals follow the same rounded-rectangle logic, with open, simplified shapes and consistent stroke weight.
This font suits user interfaces, dashboards, and device or product labeling where a sturdy, high-contrast silhouette is helpful. It also works well for branding, packaging, and posters that want a contemporary geometric voice with softened edges, and it holds together in short text samples where its consistent stroke and compact forms create an even typographic color.
The overall tone reads modern and tech-adjacent while staying approachable thanks to the soft corners and even color. Its geometry suggests interfaces, labeling, and product design, but the slightly toy-like squareness also adds a retro, arcade-like friendliness.
The design appears intended to merge geometric precision with friendliness by replacing circular rounds with superellipse-like rounded rectangles. The goal seems to be a sturdy, highly consistent system of shapes that feels engineered and contemporary while remaining visually soft and accessible.
Distinctive superelliptical construction is evident across rounds and curves, with curves resolving into flattened arcs rather than perfect circles. The lowercase forms maintain a straightforward, utilitarian structure, and the punctuation and basic shapes shown in the samples keep the same rounded-rectilinear logic for a cohesive texture in paragraph settings.