Sans Faceted Ihki 11 is a very light, wide, monoline, upright, normal x-height font.
Keywords: display, headlines, interface, signage, branding, futuristic, technical, geometric, minimalist, digital, futurism, precision, systematic design, geometric branding, digital aesthetic, octagonal, angular, chamfered, wireframe, high-contrast.
This typeface is built from crisp, straight strokes with frequent chamfered corners, replacing most curves with faceted, octagonal turns. The line work is consistently thin and even, producing a clean, wireframe-like texture with lots of interior whitespace. Proportions lean horizontally open, with simple, geometric construction in both uppercase and lowercase and a generally even rhythm. Details such as the faceted bowls and segmented diagonals give letters and numerals a distinctly planar, engineered feel while maintaining clear counters and legible joins.
Best suited for display settings where its faceted geometry can be appreciated—headlines, posters, UI/UX mockups, tech branding, and product labeling. It can also work for short navigational or signage text when set at comfortable sizes. For long-form reading, the very slender strokes and angular construction suggest using it sparingly or with generous spacing.
The overall tone feels futuristic and technical, like labeling on instruments, sci‑fi interfaces, or schematic graphics. Its sharp geometry and restrained stroke make it read as precise and modern rather than expressive or handwritten. The faceting adds a subtle “crafted by machine” character that suggests digital, modular design.
The design intent appears to be a clean geometric sans with a distinctive faceted system that translates curved structures into planar segments. It aims to communicate precision and modernity through consistent stroke weight, simplified shapes, and an engineered, polygonal construction across letters and numerals.
Round glyphs (like O/0 and related bowls) resolve into multi-sided shapes, creating a consistent octagonal motif across the set. Diagonals appear clean and purposeful, and terminals tend to end bluntly with minimal modulation. The thin strokes and open forms create a light, airy color on the page that benefits from ample size and spacing.