Sans Superellipse Arlow 2 is a very light, normal width, low contrast, italic, tall x-height font visually similar to 'Design System' by Dharma Type (names referenced only for comparison).
Keywords: ui labels, tech branding, headlines, posters, dashboards, futuristic, techy, sleek, minimal, clean, futurism, interface clarity, geometric consistency, modern branding, rounded, monoline, squarish, extended, soft corners.
A monoline italic sans with squared, superellipse-like rounds and consistently softened corners. Strokes keep an even thickness with smooth, continuous curves and rounded terminals, producing a streamlined outline with little to no visible modulation. Proportions skew tall and slightly narrow in feel, with open apertures and generous internal space; many bowls read as rounded rectangles rather than circles. The slant is steady and mechanical, and the rhythm is airy, giving the face a light, precise texture in text.
Works well for UI labeling, dashboards, and product interfaces where a sleek, rounded-technical voice is desired, especially at medium to large sizes. It also fits tech branding, event graphics, and headline settings where the italic, geometric construction can carry a contemporary, forward-moving tone without heavy stroke contrast.
The overall tone is modern and engineered, with a distinctly futuristic, interface-minded character. Rounded-rect geometry and the forward slant suggest motion and efficiency, while the soft corners keep it approachable rather than aggressive. It reads as clean and technical, suited to contemporary digital aesthetics.
Likely intended to deliver a futuristic geometric sans built from rounded-rectangle forms, balancing a technical, system-oriented structure with softened corners for friendliness. The consistent monoline construction and disciplined italic angle point to an emphasis on clarity, cohesion, and a modern digital look.
Letterforms show a strong preference for squared curves (e.g., bowls and counters) and simplified joins, creating a cohesive “capsule” silhouette across both cases. Numerals follow the same rounded-rectangle construction and maintain a consistent italic stance, reinforcing a unified, system-like feel.