Sans Superellipse Numep 7 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Gltp Starion' by Glowtype; 'Danos' by Katatrad; 'Core Sans A', 'Core Sans M', 'Core Sans N', and 'Core Sans NR' by S-Core; and 'Byker' and 'Kobern' by The Northern Block (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, punchy, retro, playful, confident, impact, motion, brandability, friendly strength, display legibility, rounded, oblique, soft corners, compact counters, ink-trap like.
A heavy, oblique sans with rounded-rectangle construction and softened corners throughout. The strokes are uniform and dense, producing compact internal counters and a strong, blocky silhouette. Curves and joins feel engineered rather than calligraphic, with subtle notch-like terminals in places that add snap to the forms. Overall spacing and rhythm favor impact and momentum over delicacy, with sturdy numerals and sturdy, simplified letterfit.
Best suited for short, prominent text such as headlines, posters, titles, and branding where bold presence is needed. The oblique stance and rounded geometry work well for sports or action-themed identities, packaging callouts, and logo wordmarks. It can also serve in UI or signage as an accent style, but it visually prefers larger sizes and tight, punchy phrases.
The font projects a bold, energetic tone with a sporty, slightly retro flavor. Its rounded geometry keeps it friendly and approachable, while the strong slant and mass give it urgency and confidence. It reads as assertive and promotional, suited to attention-grabbing messaging rather than quiet, editorial nuance.
The design appears intended as a high-impact display sans that combines industrial, rounded geometry with an energetic slant. Its consistent stroke weight and compact counters suggest a goal of strong, unmistakable letterforms that hold together under bold settings. The overall system prioritizes brandable shapes and fast visual recognition.
Round letters (like O, C, G) lean toward superelliptical shapes, and many terminals are flattened or slightly scooped, reinforcing a manufactured, display-driven feel. Lowercase forms are sturdy and compact, with a single-storey a and simplified construction that stays consistent with the uppercase. Numerals maintain the same chunky, rounded logic for a cohesive headline system.