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Free for Commercial Use

Outline Nysa 8 is a very light, normal width, medium contrast, upright, normal x-height font.

Keywords: headlines, logotypes, posters, packaging, title cards, art deco, futuristic, elegant, minimal, display focus, deco revival, sleek branding, lightweight tone, monoline, rounded, geometric, linear, architectural.


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A very light, monoline outline design built from single continuous contours with occasional parallel line detailing. Letterforms are predominantly geometric with rounded corners and softly squared bowls, keeping stroke behavior consistent across curves and straights. Proportions are clean and relatively narrow-to-standard, with open counters and simplified joins; diagonals (A, V, W, X, Y, Z) stay crisp while rounded forms (C, O, Q, S) read as smooth, engineered shapes. The numerals echo the same contour logic, with a clean, modern ‘2’ and a rounded ‘0’, and punctuation appears small and unobtrusive in the sample setting.

Best suited to display typography such as headlines, brand marks, and short phrases where the thin outline can remain crisp. It works well for fashion, architecture, technology, and event graphics, and can add a sleek signature to packaging or title sequences when used at generous sizes and with ample tracking.

The overall tone feels refined and high-tech, mixing classic Deco-era linearity with a contemporary, UI-like cleanliness. Its airy outlines and rounded geometry give it an elegant, premium feel, while the disciplined construction suggests precision and modernity.

The design appears intended to deliver a lightweight, architectural outline voice that feels simultaneously vintage-modern and futuristic. It emphasizes clean geometry, streamlined readability in display contexts, and a distinctive linear silhouette that stands out through negative space rather than stroke mass.

Because the strokes are purely outlined and extremely delicate, the font relies on scale and contrast against the background for clarity; tight spacing and small sizes can cause the interior spaces to visually fill in. The parallel-line accents in select glyph structures add a subtle sense of depth and rhythm without breaking the minimalist palette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸