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Free for Commercial Use

Sans Superellipse Tinaz 3 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Miguel De Northern' by Graphicxell, 'Framer Sans' by June 23, and 'DIN Next' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, packaging, labels, signage, gritty, handmade, playful, assertive, streetwise, headline impact, rugged texture, informal tone, print vibe, attention grabbing, blocky, blunt, chunky, compact, distressed edges.


Free for commercial use
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The letterforms are built from compact, rounded-rectangle geometry with softened corners and thick, blunt terminals. Strokes stay largely uniform, but the outlines show deliberate irregularities—subtle waviness and roughened edges that create an inked or stamped impression. Counters are tight and simplified, and curves tend to resolve into squarish bowls, reinforcing a sturdy, blocky rhythm across both caps and lowercase.

Best suited for headlines, posters, packaging, labels, and signage where a bold, rugged personality is desirable. It can work well for music and event promotion, outdoor or workwear-inspired branding, and editorial display settings that benefit from a gritty, hand-printed feel. It is less ideal for long-form reading or small UI text where the tight counters and heavy mass may reduce clarity.

This font projects a loud, poster-forward attitude with a gritty, handmade edge. The uneven texture and compact stance give it a punchy, street-level energy that feels more playful than refined. Overall it reads as bold and attention-seeking, with a slightly rough, DIY confidence.

The design appears intended to deliver high-impact text with a roughened, tactile texture, like ink pressed onto paper or a worn stamp. Its simplified, squared-round shapes prioritize bold recognition and character over polished neutrality, aiming for a strong voice in short bursts of text.

The numerals match the same compact, blocky construction, maintaining consistent color and texture alongside the letters. The sample text shows strong page presence and an intentionally uneven edge quality that reads like printed ink rather than clean vector outlines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸