Sans Superellipse Ehdor 4 is a regular weight, narrow, medium contrast, italic, normal x-height font visually similar to 'Nanueng' by Jipatype (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, sporty, dynamic, modern, technical, urgent, save space, convey motion, modernize, add impact, brand energy, condensed, slanted, streamlined, compact, crisp.
A condensed italic sans with smooth, rounded-rectangle (superelliptic) bowls and consistently softened corners. Strokes are clean and largely monolinear with subtle contrast from the slant and curve transitions, giving counters a slightly squared, aerodynamic feel. Terminals are mostly flat or gently rounded, and the overall rhythm is tall, tight, and forward-leaning, with compact spacing and narrow apertures that keep word shapes dense. Numerals and capitals maintain the same elongated, engineered geometry, reinforcing a cohesive, display-oriented texture.
Best suited to headlines, posters, and short-to-medium display text where compact width and strong slant add momentum. It can work well for sports branding, contemporary packaging, and wayfinding or signage that benefits from a tight, energetic footprint. For longer passages, the dense rhythm and narrow apertures may read best at larger sizes with comfortable tracking.
The typeface reads fast and energetic, with a forward-leaning posture that suggests motion and urgency. Its compact, streamlined forms evoke a contemporary, utilitarian tone—sport-adjacent, technical, and slightly industrial—without becoming aggressive or harsh.
The design appears intended to deliver a modern, motion-forward voice in a space-saving width, pairing superelliptic roundness with a crisp italic structure. The goal seems to be high-impact readability and a streamlined, engineered character that stays cohesive across caps, lowercase, and figures.
Round forms (C, O, G, Q and lowercase o) are built from squarish curves rather than true circles, which keeps the texture firm and controlled. The italic angle is pronounced and consistent across cases, and the condensed proportions emphasize verticality, making it feel optimized for tight horizontal spaces and high-impact lines.