Print Figuz 3 is a regular weight, normal width, medium contrast, italic, short x-height font.
Keywords: posters, headlines, packaging, album art, event promos, brushy, energetic, casual, expressive, edgy, handmade feel, dynamic emphasis, texture capture, display impact, dry brush, textured, angular, leaning, choppy.
A lively, brush-drawn print with a consistent rightward slant and visibly dry, textured stroke edges. Letterforms are built from quick, tapered strokes that create a choppy rhythm and slightly uneven contours, producing an intentionally rough, hand-made finish. Proportions vary from glyph to glyph, with compact lowercase and relatively tall, narrow capitals; counters tend to be tight and openings small, reinforcing the bold, inky presence. Numerals follow the same gestural construction, with simplified shapes and occasional hooked terminals.
Best suited to display applications where texture and motion are an advantage—posters, attention-grabbing headlines, product packaging, and short, punchy copy. It can also work for branding accents, editorial pull quotes, and event or music-related promotional materials, especially at medium-to-large sizes where the brush texture stays clear.
The font feels spontaneous and high-energy, like quick marker or brush lettering made for impact rather than refinement. Its rough texture and italic momentum give it an assertive, street-level tone that reads as informal, gritty, and expressive.
Likely designed to capture the immediacy of hand-painted or marker-brushed lettering in an unconnected, print-like structure. The goal appears to be an expressive, high-impact handwritten look with controlled consistency across the set while preserving natural irregularities and dry-brush character.
In the sample text, the texture becomes a key part of the voice: stroke breakup and irregular edges are most noticeable at larger sizes and in heavier curves, while small details (like dots and short terminals) can look intentionally ragged. The slant and uneven widths create a strong forward motion, so spacing and line length will influence readability more than with a smoother handwritten face.