Sans Superellipse Ehkaf 6 is a regular weight, very narrow, low contrast, italic, tall x-height font.
Keywords: headlines, posters, branding, sports, signage, sporty, dynamic, modern, techy, condensed, space saving, add motion, modernize, high impact, geometric clarity, oblique slant, rounded corners, compact spacing, vertical emphasis, clean terminals.
A compact, tightly set oblique sans with rounded-rectangle construction in its curves and counters. Strokes are uniform and low-contrast, with squared-off, slightly softened terminals that keep the texture crisp despite the slant. Proportions are strongly vertical, with a tall x-height and narrow apertures that create an efficient, space-saving rhythm. Round characters lean toward superelliptical forms, while diagonals in letters like A, V, W, X and the figures keep a taut, engineered feel.
This face is best suited to display settings where a condensed, energetic voice is needed—headlines, posters, packaging callouts, and brand marks. It also works well for sports or event graphics and wayfinding-style signage where horizontal space is limited and the oblique stance adds urgency. For longer text, it’s most effective at larger sizes where the tight apertures and compact rhythm remain clear.
The overall tone is fast, assertive, and contemporary, like signage and branding designed to suggest motion. Its narrow, forward-leaning silhouette reads as purposeful and performance-oriented, with a clean, no-nonsense finish that also suits tech and industrial contexts.
The design appears intended to deliver a space-efficient, high-impact italicized sans that combines engineered geometry with softened corners. Its superelliptical curves and uniform stroke treatment suggest a goal of contemporary clarity with a sporty sense of momentum, optimized for punchy titles and compact layouts.
The caps are straightforward and uniform, while the lowercase mixes single-storey forms with compact bowls and tight joins that reinforce the condensed color. Numerals follow the same narrow, slanted structure, staying consistent with the font’s upright economy and rounded-rectangle curvature.