Sans Normal Ofdaj 23 is a very bold, wide, monoline, upright, normal x-height font visually similar to 'Retrokia' by Edignwn Type, 'Kometa' by Kiril Zlatkov Type Foundry, 'TT Commons Classic' and 'TT Commons™️ Pro' by TypeType, and 'Neue Alte Grotesk' by VisualWorks (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, punchy, sporty, impact, approachability, modernity, brand voice, display clarity, rounded, blocky, compact, high-contrast counters, soft corners.
A heavy, rounded sans with compact proportions and a dense, even color. Strokes are consistently thick with smooth joins and softly squared terminals, while bowls and counters lean toward circular and oval geometry. The design keeps apertures relatively tight (notably in letters like C, S, and a), producing strong silhouettes and a poster-like presence. Uppercase forms are broad and stable, and the lowercase shows sturdy, simplified construction with minimal modulation and clear, no-nonsense rhythm.
Best suited for bold headlines, short copy, and display settings where a strong, unified texture is desirable. It works well in branding and packaging that benefit from approachable but powerful letterforms, and it can hold up in signage and large-scale applications where punch and clarity matter.
The overall tone is bold and upbeat, combining friendliness from the rounded shapes with assertiveness from the weight and tight counters. It reads as contemporary and energetic, with a straightforward, athletic-leaning personality that feels more about impact than delicacy.
The design appears intended as an impact-focused display sans that pairs geometric roundness with a compact, heavyweight build. Its tight apertures and broad shapes prioritize presence and cohesion, aiming for contemporary, friendly strength in modern visual systems.
Round letters like O and Q appear very full and geometric, and the figures share the same chunky, solid build with large interior shapes relative to the stroke. Diacritics are not shown; the sample emphasizes the font’s strong word-shape and headline texture rather than fine-detail readability.