Sans Faceted Ufjo 6 is a very bold, narrow, monoline, upright, short x-height font visually similar to 'Manufaktur' by Great Scott, 'Monorama' by Indian Type Foundry, and '3x5' by K-Type (names referenced only for comparison).
Keywords: game ui, posters, logotypes, headlines, packaging, techno, arcade, sci‑fi, industrial, futuristic, futurism, impact, modularity, tech branding, display clarity, geometric, angular, chamfered, square, stencil‑like.
This typeface is built from thick, uniform strokes with squared terminals and frequent chamfered corners that replace many curves with planar facets. Counters tend to be rectangular and compact, and round letters (like O/C/G) read as squarish forms with clipped corners. The overall rhythm is tight and mechanical, with small interior apertures and a consistent, modular construction that keeps letterforms crisp at display sizes. Numerals follow the same blocky logic, with simplified, angular bowls and straight-sided structure.
Best suited to display applications where impact and a technical voice are desired: game titles and UI labels, sci‑fi or cyber-themed posters, product packaging, signage, and compact logotypes. It performs especially well in short headlines, badges, and interface-style callouts where its angular construction becomes a defining graphic element.
The font conveys a retro-futuristic, arcade-like tone—confident, technical, and slightly militaristic. Its faceted geometry and compact counters suggest digital interfaces, industrial labeling, and sci‑fi titling rather than warm or literary text settings.
The design appears intended to translate a futuristic, engineered aesthetic into a compact, highly legible display face by using monoline block strokes, squared counters, and consistent chamfered facets. The goal is a strong, modular alphabet that feels at home in digital, industrial, and gaming contexts while remaining clean and systematic.
Distinctive features include the angular, notched joins on several diagonals (notably in V/W/X/Y), squared-off curves, and a generally “machined” feel created by repeated chamfers. The bold massing and tight apertures can make long passages feel dense, but it delivers strong silhouette recognition in headings and short strings.