Sans Faceted Elnu 3 is a very bold, narrow, monoline, italic, normal x-height font visually similar to 'Kanal' by Identikal Collection, 'Pcast' by Jipatype, 'Brocks' and 'Stallman Round' by Par Défaut, 'Oscar Bravo' by Studio K, 'Goodland' by Swell Type, and 'Kanal' by T-26 (names referenced only for comparison).
Keywords: headlines, posters, sports branding, gaming titles, tech branding, aggressive, futuristic, sporty, industrial, tactical, impact, speed, edginess, modernity, utility, angled, faceted, compact, blocky, high-contrast negative.
A compact, forward-leaning display sans built from sharp, planar facets rather than curves. Strokes are consistently heavy with clipped corners and chamfered joins that create a mechanical, cut-metal silhouette. Counters tend toward rectangular and triangular apertures, and many terminals end in diagonal shears, giving letters a brisk, directional rhythm. The overall texture is dense and uniform, with tight interior spaces and sturdy, engineered forms across caps, lowercase, and numerals.
Best suited to short, high-impact text such as headlines, posters, event graphics, esports or sports marks, and tech or industrial branding where a sharp, engineered look is desirable. It also works well for packaging callouts, UI labels in action-themed contexts, and motion graphics where the angled forms amplify a sense of speed.
The face reads fast, forceful, and technical—like lettering for speed, machinery, or action-focused branding. Its angular construction and slanted momentum suggest a high-energy, competitive tone with a modern, sci‑fi edge.
The design appears intended to deliver maximum impact through compact, faceted letterforms that stay cohesive and legible at display sizes. Its consistent bevel language and forward slant aim to communicate motion and toughness while keeping the system simple and uniform.
Distinctive facets in characters like S, G, R, and the numerals create strong silhouette recognition at large sizes, while the tight counters can darken quickly in smaller settings. The figures share the same beveled geometry as the letters, maintaining a cohesive, hard-edged system.