Cursive Gomak 13 is a very light, very narrow, medium contrast, italic, very short x-height font.
Keywords: invitations, greeting cards, branding, packaging, headlines, casual, personal, friendly, lighthearted, romantic, handwritten, inviting, expressive, elegant, airy, delicate, loopy, monoline, open forms.
A slim, monoline-like script with a consistent rightward slant and a light, pen-drawn texture. Strokes stay clean and smooth with modest thick–thin modulation, and many forms are built from long ascenders/descenders and open oval bowls. Connections appear intermittent—some letters link with flowing entry/exit strokes while others stand more independently—creating a lively handwritten cadence. Capitals are tall and simplified with occasional flourished curves (notably in letters like Q, J, and Y), and the numerals follow the same narrow, handwritten proportions.
Well suited to short, expressive text where a personal voice is desired, such as invitations, greeting cards, quotes, and social media graphics. It can work effectively for boutique branding, beauty/lifestyle packaging accents, and light editorial headlines when set at comfortable sizes. For best clarity, it’s likely strongest in display roles rather than dense body copy or small UI text.
This font conveys a relaxed, personal tone with a breezy, handwritten charm. Its gentle loops and airy spacing feel friendly and informal, while the tall, slender rhythm adds a slightly elegant, fashion-forward note. Overall it reads as casual, intimate, and lightly whimsical rather than formal or corporate.
The design appears intended to mimic quick, neat handwriting with an emphasis on tall, slender proportions and smooth, looping motion. It prioritizes personality and flow over rigid typographic regularity, using simplified letterforms and occasional swashes to keep the writing lively and human.
The overall spacing and rhythm feel intentionally loose, with narrow letter bodies balanced by generous white space and long vertical extenders. Lowercase forms tend to be compact with small counters, while the capitals introduce more expressive curves that can stand out in wordmarks and titles.