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Free for Commercial Use

Sans Superellipse Hakim 6 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Military Jr34' by Casloop Studio, 'Evanston Alehouse' and 'Evanston Tavern' by Kimmy Design, and 'B52' by Komet & Flicker (names referenced only for comparison).

Keywords: headlines, logotypes, posters, packaging, signage, techy, industrial, sporty, futuristic, utilitarian, impact, modernize, tech branding, sturdy clarity, geometric uniformity, squared, rounded, blocky, compact, geometric.


Free for commercial use
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A heavy, geometric sans built from rounded-rectangle and superellipse shapes, with consistently softened corners and largely uniform stroke weight. Counters tend to be squared-off and compact, giving letters a sturdy, engineered feel. Uppercase forms are wide and stable, while lowercase is straightforward and boxy with simple terminals; round letters like O and C read as squarish rounds rather than true circles. Numerals follow the same squared, condensed-within-box rhythm, emphasizing clear silhouettes and strong verticals.

This font works best for headlines, logos, and short display lines where its squared-round geometry can read as a deliberate brand gesture. It also suits packaging, labels, UI titling, and signage that benefits from robust, high-contrast shapes and a technical vibe.

The overall tone is contemporary and mechanical, evoking technology, equipment labeling, and sporty branding. Its rounded corners keep the voice friendly enough to avoid harshness, but the blocky geometry still signals strength and control. The texture feels confident and punchy, suited to assertive, modern messaging.

The letterforms appear designed to translate a rounded-rectangular geometry into a practical, contemporary display sans—balancing strict, engineered structure with softened corners for approachability. The emphasis is on bold presence, consistent rhythm, and easily recognizable silhouettes for branding and titling.

The design relies on straight stems and flat joins, with diagonals that feel crisp and purposeful. Tight interior shaping and broad strokes create a dense color on the page, favoring impact over delicate detail, especially in smaller openings and counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸