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Sans Contrasted Igso 7 is a bold, normal width, very high contrast, upright, tall x-height font.

Keywords: headlines, posters, logotypes, packaging, magazine covers, art deco, theatrical, editorial, luxury, dramatic, display impact, deco revival, brand distinctiveness, graphic texture, poster drama, geometric, chiseled, stencil-like, sharp, sculptural.


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This typeface pairs heavy, blocky strokes with hairline-thin connections and cut-in counters, producing a sculpted, almost stencil-like silhouette. Many forms are built from geometric primitives—tall verticals, clean arcs, and triangular joins—while the contrast is pushed to extremes, creating a striking light–dark rhythm. Terminals are crisp and abrupt, and several letters use internal “slices” or split bowls that emphasize negative space. Overall proportions feel compact in the bowls but tall in the stems, with a consistent, graphic construction across caps, lowercase, and numerals.

Best suited for display settings such as headlines, posters, branding marks, and packaging where its sharp contrast and geometric cuts can read clearly. It can add a period-flavored, upscale tone to magazine titles, event graphics, and product identities. For longer passages or small sizes, its hairline details may call for larger point sizes and comfortable tracking.

The overall tone is bold and stylized, evoking Art Deco-era signage and high-fashion display typography. Its dramatic contrast and carved-in details feel theatrical and deliberate, lending a premium, poster-ready character. The rhythm is punchy and graphic, prioritizing impact and personality over neutrality.

The design appears intended as a statement display sans that modernizes geometric Art Deco cues through extreme contrast and carved negative space. Its construction suggests a focus on memorable silhouettes and a distinctive texture in running words, aimed at branding and editorial environments where character is paramount.

In the text sample, distinctive internal cuts and hairline links become a defining texture, especially where repeated verticals and round letters alternate. The numerals and capitals read as strongly constructed display forms, while the lowercase maintains the same sculptural logic for a cohesive voice. Because the design relies on fine hairlines and internal apertures, it visually rewards generous sizes and careful spacing.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸