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Free for Commercial Use

Wacky Apda 2 is a very bold, wide, medium contrast, italic, normal x-height font visually similar to 'Ferpa' by Typeóca (names referenced only for comparison).

Keywords: posters, headlines, game titles, album covers, event flyers, playful, rowdy, retro, rough-cut, quirky, attention-grabbing, handmade feel, retro display, comic intensity, theatrical tone, angular, chiseled, faceted, blackletter-tinged, irregular.


Free for commercial use
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A heavy, faceted display face with sharply angled terminals and wedge-like cuts that create a chiseled silhouette. Strokes lean forward with an energetic slant, while counters are tight and often polygonal, producing a compact, high-impact texture. Serifs and finishing strokes appear as blunt triangles and notches rather than classical brackets, and several forms show intentionally uneven geometry that adds a hand-cut, poster-like rhythm. The figures and lowercase share the same chunky, carved construction, with diamond-like dots on i/j and similarly angular joins throughout.

Best suited to short, punchy text: posters, titles, packaging callouts, and promotional graphics where a bold, characterful voice is desired. It works well for fantasy or retro-themed branding, game and streaming graphics, and any application that benefits from a gritty, comedic display style rather than continuous text.

The overall tone is loud, mischievous, and deliberately off-kilter—more carnival barkers and dungeon posters than refined editorial typography. Its forward-leaning stance and jagged edges read as animated and slightly chaotic, giving headlines a humorous, rebellious bite.

The font appears designed to deliver maximum personality through exaggerated weight and jagged, carved detailing—evoking woodcut or cut-paper lettering while staying legible in all-caps and mixed case. The irregular facets and slanted stance suggest an intention to feel handmade and dynamic, prioritizing impact and attitude over typographic neutrality.

The design’s strong internal angles and narrow apertures can cause letterforms to knit together visually at smaller sizes; it reads best when given room. Its distinctive cuts and notches create a recognizable pattern quickly, but they also make prolonged reading feel intense.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸