Sans Superellipse Otdes 14 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Sicret' and 'Sicret Mono' by Mans Greback (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, packaging, retro, friendly, playful, techy, futuristic, display impact, brand distinctiveness, geometric unity, retro-tech tone, rounded, boxy, soft corners, compact, geometric.
A heavy, monoline sans built from rounded-rectangle and superelliptical forms, with consistently softened corners and smooth, continuous curves. The proportions feel compact and sturdy, with wide bowls, short-looking apertures, and squared-off terminals that keep counters controlled and highly uniform. Curved letters lean toward squarish geometry (notably in C, G, O, and Q), while vertical strokes stay straight and even, producing a stable, modular rhythm. Lowercase forms are similarly constructed, with a single-storey a and g, a rounded-shoulder m and n, and a tall, straight-limbed y; figures follow the same rounded-box logic for a cohesive set.
Best suited to display settings such as headlines, logos, posters, and product branding where its rounded-square geometry can be a recognizable identifier. It should also work well for signage and interface headings when a friendly, tech-leaning tone is desired, though its heavy strokes and compact apertures suggest using it at moderate-to-large sizes for comfortable readability.
The overall tone reads as retro-futurist and approachable: bold and confident without feeling aggressive, and playful thanks to the softened geometry. Its rounded-square construction evokes mid-century signage and early digital/tech aesthetics, giving it a distinctive, characterful voice.
The design intention appears to be a distinctive geometric sans that foregrounds a superelliptical, rounded-rectangle construction for instant personality and strong visual cohesion. It prioritizes bold presence and a clean, modern-retro silhouette over neutral text invisibility.
Spacing appears fairly generous for such a heavy design, helping internal shapes stay readable despite tight counters. The typeface maintains a strong, consistent “squircle” motif across letters and numerals, which makes it feel especially unified in headlines and short bursts of text.