Sans Other Seny 11 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Block' by Stefan Stoychev (names referenced only for comparison).
Keywords: headlines, posters, ui labels, game ui, logos, techno, industrial, retro, game-like, mechanical, digital aesthetic, modular construction, display impact, technical tone, square, angular, modular, geometric, hard-edged.
A sharply rectilinear sans built from straight, uniform strokes with crisp 90° corners and occasional clipped diagonals. Counters are boxy and mostly rectangular, and curves are largely avoided, giving letters like O/C/G a faceted, constructed feel rather than a rounded one. Proportions lean narrow-to-medium with compact apertures, and many joins read as modular “segments,” producing a consistent, engineered rhythm across caps, lowercase, and numerals. Distinctive details include squared terminals, step-like diagonals in characters such as S and Z, and a single‑storey lowercase a with a strong horizontal arm.
Best suited for headlines, short phrases, branding marks, and interface-style labeling where its modular geometry can read clearly and set a high-tech tone. It can also work for packaging, signage, or event graphics that want an industrial or retro-futuristic flavor, especially when set with generous size and spacing.
The overall tone is technical and utilitarian, with a retro-digital edge reminiscent of arcade, sci‑fi interfaces, and schematic labeling. Its rigid geometry and sparse curvature convey precision and a slightly futuristic, machine-made attitude rather than warmth or humanism.
The design appears intended to translate a digital/constructed aesthetic into a clean sans structure, emphasizing straight segments, squared counters, and consistent stroke logic. It prioritizes a distinctive, system-like voice for display and interface contexts over neutral, book-text conventionality.
The face relies on distinctive glyph constructions for recognition (notably in S, Z, and the faceted C/G/O family), which creates strong personality at display sizes. At smaller text sizes, the tight apertures and angular interior corners may reduce softness and readability compared to more conventional grotesks, but they also help the font maintain a bold, structured texture.