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Free for Commercial Use

Serif Other Ukwa 5 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Evanston Alehouse' by Kimmy Design, 'Baraksawa' by Mantra Naga Studio, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, signage, western, vintage, poster, rugged, showcard, attention grabbing, vintage signage, western flavor, compact display, branding, flared serifs, wedge terminals, high impact, compact, engraved feel.


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A condensed, heavy serif design with blocky stems, squared counters, and prominent flared/wedge-like serifs. The letterforms show a chiseled, stencil-adjacent geometry: corners are mostly crisp, curves are restrained, and many joins resolve into sharp notches or tapered terminals. Spacing and rhythm are tight and vertical, with strong, uniform stroke presence and subtle contrast expressed mainly through tapered serifs and angled cuts rather than fully calligraphic modulation. Numerals and capitals follow the same compact, poster-driven construction, keeping a consistent, sturdy silhouette across the set.

Best suited for display typography where high impact is needed: posters, event titles, brand marks, labels, and signage. It works well when you want a classic Western or vintage poster flavor and when horizontal space is limited, but it may feel dense for extended small-size text.

The overall tone feels Western and vintage, with a bold, workmanlike personality reminiscent of frontier signage and classic show posters. Its sharp terminals and carved details add a slightly theatrical, authoritative edge, reading as confident, rugged, and attention-seeking.

The design appears intended as a compact, high-visibility display serif that blends traditional serif structure with decorative, carved terminals to evoke heritage signage and bold showcard typography.

The design relies on distinctive negative shapes—rectangular bowls and tight apertures—to maintain clarity at large sizes, while the angular cuts and flares provide ornament without becoming overly delicate. The condensed proportions amplify impact in headlines and allow long words to stay compact.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸