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Free for Commercial Use

Groovy Urke 8 is a very bold, normal width, medium contrast, italic, normal x-height font.

Keywords: posters, headlines, album art, packaging, logotypes, playful, retro, funky, friendly, expressive, retro flair, display impact, playful motion, distinctive branding, soft serif, rounded, swashy, ink-trap-like, bouncy.


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A heavy, right-leaning italic with softly bracketed, bulbous serifs and rounded terminals that give the letterforms a cushioned, sculpted feel. Strokes stay robust with gently modulated thick–thin transitions, and many joins flare into teardrop-like wedges that create a lively, handcrafted rhythm. Counters are compact but open enough to read at display sizes, while curves and diagonals show intentional irregularity that keeps the texture energetic rather than mechanical. Numerals and capitals follow the same swelled, curvy logic, producing a consistent, poster-like color across lines.

Best suited for display applications where its chunky forms and animated rhythm can read large—posters, event titles, album and entertainment graphics, packaging, and brand marks that want a retro-spirited voice. It can also work for short pull quotes or section headers, especially when generous tracking and line spacing are available.

The overall tone is upbeat and nostalgic, with a groovy, lounge-era warmth that feels equal parts whimsical and confident. Its bouncy slant and soft serifs suggest motion and musicality, giving text a charismatic, “good-times” voice rather than a formal one.

The design appears intended to fuse a bold italic silhouette with soft, swelled serifs and playful irregularities to create an instantly recognizable, groove-forward display texture. The priority is character and motion over strict typographic neutrality, aiming for a lively, vintage-leaning presence in branding and titling.

The italic angle is integral to the design (not merely an oblique), and the exaggerated bracketing and wedge-like foot shapes create distinctive silhouettes, especially in curved letters and diagonals. The bold mass and tight internal spaces can make long passages feel dense, but it delivers strong impact and personality in shorter settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸