Cursive Degod 10 is a light, very narrow, medium contrast, italic, very short x-height font.
Keywords: branding, packaging, social posts, posters, invitations, casual, airy, lively, personal, modern, handwritten voice, signature feel, display impact, contemporary charm, monoline, brushy, looping, tall ascenders, open counters.
A fast, handwritten script with a lightly brush-like, monoline feel and gently tapered terminals. Forms are tall and condensed, with a pronounced rightward slant and a rhythmic upstroke/downstroke pattern that keeps the texture energetic. Uppercase letters are loop-forward and expressive, often built from single sweeping strokes, while lowercase stays compact with small bowls and short bodies relative to long ascenders and descenders. Joins are mostly implied rather than tightly cursive, producing an open, sketchy flow that reads clearly at display sizes.
This font suits short-to-medium display copy where a human, handwritten voice is desired—logos and small wordmarks, packaging accents, quotes, posters, invitations, and social media graphics. It works best with generous tracking and ample line spacing, and is less suited to long passages or very small sizes where the narrow forms and compact lowercase can reduce legibility.
The overall tone is informal and personable, like a quick note written with a felt-tip or brush pen. Its narrow, tall silhouettes and lively stroke motion give it a contemporary, spontaneous character that feels friendly rather than formal.
The design appears intended to capture a quick, stylish handwriting look with a light touch—balancing expressive loops and tall gestures with enough regularity to function in repeated text lines. It aims for a modern, personal signature-like effect without becoming overly ornate or formal.
Numerals share the same handwritten rhythm and slender proportions, keeping a cohesive texture alongside letters. The sample text shows consistent spacing and a smooth baseline movement, with occasional angular turns and looped entries that add variety without breaking the overall cadence.