Sans Superellipse Mije 13 is a very bold, wide, monoline, italic, normal x-height font visually similar to 'Chancy JNL' by Jeff Levine and 'DBXLNightfever' by VetteLetters (names referenced only for comparison).
Keywords: sports branding, gaming ui, tech packaging, poster headlines, vehicle graphics, futuristic, sporty, tech, dynamic, sleek, speed emphasis, modern branding, display impact, tech aesthetic, rounded, soft-cornered, oblique, geometric, compact counters.
A heavy, oblique sans with a rounded-rectangle construction and consistently softened corners. Strokes maintain an even thickness throughout, producing a clean, engineered rhythm, while counters are tight and often squared-off into small apertures. Terminals are blunt and smoothly radiused, and curves resolve into superelliptical bowls rather than true circles, giving letters like O/C/G a streamlined, chamfer-free feel. Uppercase and lowercase share a cohesive geometric language, and numerals follow the same rounded-box logic with stable, low-contrast forms.
This font is well suited to display roles where impact and speed are desired—sports and esports identities, gaming interfaces, tech-forward packaging, event posters, and motion graphics. It can also work for short UI labels or dashboard-style titling when spacing is tuned to preserve clarity in the compact counters.
The overall tone is fast, modern, and technology-leaning, with a confident, sporty attitude. Its oblique stance and broad silhouettes suggest motion and performance, while the rounded geometry keeps it approachable rather than aggressive.
The design appears intended to deliver a high-impact, forward-leaning voice using rounded-rect geometry and uniform stroke weight. Its construction prioritizes a cohesive, futuristic silhouette and strong presence in large sizes, while maintaining smooth, friendly corners for broad commercial appeal.
Several glyphs emphasize distinctive cut-ins and segmented joins (notably in forms like S, Z, and some diagonals), reinforcing a modular, industrial flavor. The wide set width and tight internal spacing create bold word shapes that read best with generous tracking and clear size separation between display and text contexts.