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Free for Commercial Use

Wacky Asfy 6 is a bold, normal width, very high contrast, upright, normal x-height font visually similar to 'Averta Standard PE' by Intelligent Design, 'Core Sans C' and 'Core Sans CR' by S-Core, and 'Caros' and 'Caros Soft' by cretype (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, event flyers, playful, whimsical, retro, mischievous, cartoony, attention grabbing, humor, novelty branding, theatrical display, retro flavor, ink-trap, notched, tusked terminals, bouncy baseline, cutout details.


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A heavy, display-oriented face with chunky, rounded forms and sharp, notched interruptions that read like carved or cut-out corners. Many strokes show small wedge-like bites and inner cutouts, creating a lively, irregular edge rhythm while keeping overall letter silhouettes clear. Curves are full and circular (notably in O, Q, and e), while joins and terminals often taper into pointed, decorative nicks rather than clean slabs or smooth ends. Spacing and widths vary noticeably across the alphabet, reinforcing an animated, handcrafted feel.

Best suited to short, high-impact settings such as posters, headlines, logo wordmarks, packaging callouts, and playful event or entertainment graphics. It can work for brief subheads or pull quotes where personality is the goal, but the ornamental cutouts suggest avoiding long body text or small sizes where the details may visually crowd.

The font projects a humorous, quirky tone—part vintage sign-painter, part comic prop lettering. Its decorative nicks and cutout-like counters add a slightly mischievous, “trick” energy that feels theatrical and attention-seeking rather than neutral or editorial.

The design appears intended to deliver instant character through a repeatable set of carved notches and cutouts applied to otherwise simple, rounded letter structures. The goal seems to be a bold, quirky display voice that feels handmade and theatrical while remaining readable at typical headline sizes.

The distinctive corner bites and small triangular voids become a repeating motif across caps, lowercase, and figures, giving the design a consistent identity even as individual glyphs stay intentionally idiosyncratic. The numerals are bold and characterful, with the same carved details, making them suitable for short numeric bursts like prices or dates.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸