Font Hero

Free for Commercial Use

Inline Pobo 8 is a very bold, narrow, very high contrast, upright, normal x-height font visually similar to 'Laqonic 4F' by 4th february, 'Cru' by Colophon Foundry, 'Armetica' by Hsan Fonts, 'Editorial Feedback JNL' by Jeff Levine, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, logos, packaging, poster, circus, western, retro, loud, impact, vintage flair, dimensionality, compact setting, signage look, condensed, inline, shadowed, display, decorative.


Free for commercial use
Customize the font name

A condensed, heavyweight display face built from compact, blocky forms and simplified geometry. Each character is defined by a solid outer silhouette with a narrow internal inline cut that reads as a bright stripe, giving strokes a carved, dimensional feel. Curves are tight and squat (notably in C, G, O, S), while verticals dominate the rhythm; terminals tend toward flat, squared endings with occasional small notches and wedges that add bite. Counters are generally small and enclosed, and the overall texture is dense and dark, with the inline creating crisp internal contrast at larger sizes.

Best suited to headlines, posters, signage, and identity work where a dense, decorative voice is desirable. It can also add a vintage accent on packaging labels or event materials, especially when set in short phrases or large-scale type.

The inline carving and compressed proportions evoke vintage show typography—bold, attention-seeking, and slightly theatrical. It carries a confident, assertive tone that feels at home in retro signage, circus or fairground flavor, and punchy headline settings where impact matters more than subtlety.

The design appears intended to deliver maximum impact in a compact width while adding visual interest through an internal carved line. The inline treatment suggests a goal of mimicking engraved or shadowed display lettering, providing a built-in highlight that helps shapes pop in bold applications.

The inline detail is thin relative to the stroke mass, so it functions best when given enough size to stay clean and legible. The condensed set-width and strong vertical emphasis create a tight, stacked look, making it effective for short bursts of text and compact compositions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸