Cursive Othy 10 is a light, very narrow, medium contrast, italic, short x-height font.
Keywords: invitations, greeting cards, quotes, branding, packaging, airy, casual, elegant, whimsical, personal, handwritten charm, graceful display, personal tone, modern script, monoline, loopy, bouncy, tall, spindly.
A slender, handwritten script with tall ascenders and descenders, narrow letterforms, and a gently right-leaning flow. Strokes are mostly monoline with subtle pressure-like modulation, and terminals are often tapered or slightly hooked. The design uses open counters and frequent looped entries/exits, giving many letters a connected, continuous rhythm while still allowing occasional breaks typical of hand lettering. Capitals are large and expressive, with long, sweeping curves that contrast with the simpler, upright lowercase structure.
Works well for short to medium-length text where a personable, handwritten voice is desired—such as invitations, greeting cards, social graphics, pull quotes, and boutique branding. The tall, narrow silhouette makes it effective for vertical layouts, labels, and headings where an elegant handwritten accent is needed without heavy stroke weight.
The overall tone feels light, friendly, and informal, with a hint of elegance from its elongated proportions and smooth curves. It reads like neat, quick handwriting—approachable and personal rather than formal or rigid. The looping capitals and buoyant rhythm add a playful, slightly romantic character.
The design appears intended to provide a clean, modern handwritten script with expressive capitals and a smooth cursive cadence. Its narrow build and open shapes suggest a focus on graceful texture and legibility in display sizes, offering a refined handwritten alternative for lifestyle and stationery-style typography.
Spacing appears intentionally loose to accommodate the tall, narrow forms and extended loops, helping prevent collisions in running text. Numerals match the same thin, handwritten logic, with simple shapes and occasional cursive-like curls. The font’s character is driven more by gesture and rhythm than by strict geometric consistency, reinforcing the hand-drawn feel.