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Serif Other Ubba 13 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'PODIUM Sharp' by Machalski and 'Chairdrobe' by XTOPH (names referenced only for comparison).

Keywords: posters, headlines, signage, labels, packaging, industrial, western, poster, vintage, sturdy, space-saving, high impact, heritage tone, signage clarity, condensed, square-shouldered, high-contrast terminals, bracketed serifs, tall caps.


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A tightly condensed serif with tall proportions and a mostly even stroke weight, built from straight stems and squared curves. Serifs are small and purposeful, reading as lightly bracketed or chamfered terminals rather than wide slabs, with occasional wedge-like corners on diagonals. Counters are compact and vertically oriented, and curves (O, C, G, 0) feel squared-off with flattened sides, reinforcing a rigid, engineered rhythm. The lowercase is narrow and utilitarian, with simple single-storey forms (notably a and g) and short, blocky joins; numerals follow the same tall, compressed construction for consistent texture in mixed settings.

Best suited for headlines, posters, signage, and label-style typography where a condensed footprint is helpful and a strong vertical rhythm is desired. It works well for packaging, brand marks, and titling that needs a sturdy, vintage-leaning presence, and it can also serve in UI or wayfinding contexts where narrow numerals and caps are useful.

The overall tone is assertive and workmanlike, with a vintage industrial flavor that can also lean toward a Western or circus-poster feel. Its compressed stance and hard-edged detailing create a confident, no-nonsense voice that reads loud and directive rather than delicate or literary.

The design appears intended to deliver maximum impact in minimal horizontal space while maintaining a serifed, heritage-coded look. The squared curves and firm terminals suggest a decorative display purpose—evoking printing-era poster types and industrial signage—while keeping a disciplined, repeatable structure across letters and numerals.

In text, the dense letterforms create a dark, continuous color that favors short lines and display sizes. The punctuation and figures maintain the same compact, squared geometry, helping the font feel cohesive in headlines, badges, and numbered systems.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸