Sans Rounded Byhy 5 is a bold, wide, monoline, upright, normal x-height font.
Keywords: ui, app, branding, logotype, signage, futuristic, playful, techy, friendly, clean, digital clarity, modern branding, soft tech, geometric consistency, distinctive display, rounded, geometric, soft-cornered, streamlined, modular.
A rounded, geometric sans with monoline strokes and consistently softened corners. Forms are built from straight segments and broad curves, with squared-off counters and rounded terminals that create a slightly modular, “capsule and rectangle” construction. Curves tend toward squarish bowls (notably in C/O/Q and the numerals), and joints are smooth with minimal contrast, producing an even color and steady rhythm. Uppercase shapes are wide and open, while the lowercase stays simple and schematic with single-storey a and g and compact, rounded punctuation-like details (e.g., dots on i/j). Numerals follow the same soft-rectilinear logic, with a squared 0 and segmented, rounded strokes in 2–3–5–6–9.
Works well for interface labeling, dashboards, product branding, and contemporary wordmarks where a friendly tech aesthetic is desired. Its even stroke and open shapes also suit short-to-medium text in posters, packaging, and wayfinding, especially at display and subhead sizes where the rounded-rectilinear construction reads clearly.
The overall tone feels contemporary and approachable—tech-forward without becoming cold. The rounded terminals and squarish curves give it a friendly, slightly retro-digital character, suggesting UI hardware, signage, or science-fiction interfaces while remaining readable and calm.
Likely intended to merge a modern geometric sans foundation with softened, rounded-rectangle construction to evoke a sleek digital feel while staying inviting. The consistent monoline structure and modular curves suggest an emphasis on clarity, cohesion, and a distinctive “interface” voice suitable for contemporary design systems.
The design language is highly consistent across cases: rounded-rectangle geometry, open apertures, and minimal ornament. Diagonals (V/W/X/Y) are sturdy and softened at endpoints, keeping the energetic letters from looking sharp. The sample text shows a smooth, uniform texture in longer lines, with distinctive shapes that emphasize character recognition through geometry rather than contrast.