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Serif Other Erfy 5 is a bold, wide, very high contrast, upright, normal x-height font visually similar to 'Chamberí' by Extratype, 'Benton Modern' by Font Bureau, 'Zesta' by Indian Type Foundry, 'Prumo Deck' by Monotype, and 'Abril' by TypeTogether (names referenced only for comparison).

Keywords: headlines, posters, magazine titles, branding, packaging, dramatic, theatrical, editorial, high-fashion, noir, statement display, stencil effect, logo-driven, editorial impact, stylized classicism, stenciled, incised, tapered, flared, sculptural.


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A high-contrast serif design built from heavy vertical masses and hairline connectors, with frequent stencil-like interruptions where strokes meet. Serifs are sharp and wedge-flared, and terminals often taper to fine points, creating a carved, incised feel. Curves are broad and smooth but are regularly “cut” by thin gaps, producing a crisp, segmented rhythm across both capitals and lowercase. The overall color is dark and assertive, with generous internal counters and a distinctly constructed, decorative texture in running text.

This face is best used for headlines, display typography, and short bursts of copy where its segmented construction can be appreciated. It suits fashion and culture editorial work, posters, branding systems that want a distinctive logotype feel, and premium packaging that benefits from a sculptural, high-impact serif.

The font projects a dramatic, couture editorial tone—equal parts refined and confrontational. Its cut-in details and razor-thin joins suggest a theatrical, slightly noir sensibility that feels suited to striking statements rather than neutral reading.

The design appears intended to reinterpret a classic high-contrast serif through a constructed, stencil-inflected approach, trading continuous strokes for sharp joins and deliberate gaps. The goal seems to be maximum visual presence and memorability, with an emphasis on striking silhouettes and a refined-yet-decorative finish.

The stencil breaks are a core motif and appear consistently throughout the alphabet and figures, creating a recognizable pattern even at a glance. In paragraphs, the strong vertical emphasis and segmented joins form a bold texture that benefits from ample tracking and larger sizes to keep the cuts from visually closing up.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸