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Sans Faceted Nita 7 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Murat Grotesque' by Bülent Yüksel, 'Offroad' by Grype, 'MGT American Copper' by Magetype, 'Futura Now' by Monotype, and 'ARB 66 Neon' and 'FTY Konkrete' by The Fontry (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, sports branding, industrial, techno, arcade, futuristic, assertive, impact, tech voice, industrial edge, retro-digital, angular, chamfered, condensed, blocky, geometric.


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A condensed, heavy display face built from straight strokes and clipped corners, replacing curves with crisp chamfers and planar facets. The verticals are dominant and the counters are relatively tight, producing a compact, high-impact texture in lines of text. Glyph construction leans on squared geometry with frequent notched terminals and angled joints, giving round letters like O and C a cut, polygonal silhouette. Uppercase forms are tall and rigid, while the lowercase follows the same architectural logic with simplified bowls and squared shoulders, maintaining a consistent, modular rhythm across the set.

Best used at large sizes where the chamfered geometry and tight counters can be appreciated—headlines, event posters, identity marks, product packaging, and bold labels. It can also work for short UI titles or game screens where a rigid, industrial tone is desirable, but it’s less suited to long passages of small text.

The faceted shapes and hard corners create a mechanical, high-voltage tone that feels suited to tech branding and game-inspired visuals. Its dense, angular voice reads confident and utilitarian, with a slightly retro-digital edge reminiscent of industrial labeling and sci‑fi interfaces.

The design appears intended to deliver maximum visual punch through compressed proportions and faceted, engineered letterforms. By systematically converting curves into clipped planes and emphasizing vertical structure, it aims to communicate a modern-industrial, techno display personality with consistent, modular cohesion.

Distinctive diagonal cut-ins and chamfered outer corners appear throughout, helping large sizes feel crafted rather than purely rectangular. The numerals echo the same squared, engineered language, keeping a uniform presence when mixed with caps. Spacing appears tuned for display impact, favoring tightness and strong vertical emphasis over airy readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸