Sans Superellipse Kymum 2 is a very bold, very wide, medium contrast, upright, normal x-height, monospaced font.
Keywords: headlines, branding, posters, signage, packaging, techy, industrial, playful, retro, utility, impact, clarity, systematic, friendliness, display, rounded, squared, geometric, chunky, blocky.
A heavy, wide sans with rounded-rectangle construction and consistently softened corners. Strokes are thick and even, with compact counters that stay open through generous inner rounding. The overall geometry leans toward squarish bowls and superelliptical curves (notably in C, G, O, and 0), paired with straight-sided stems and flat terminals. Shapes are clean and modular, producing a steady rhythm and strong silhouette; diagonals (V, W, X, Y) are broad and blunt, and figures share the same rounded-square logic for a cohesive set.
Best suited to headlines, short blocks of copy, and identity work where a strong, rounded-technical voice is needed. It works well for product branding, packaging, labels, posters, and signage, and can also serve UI or dashboard-style display text where a sturdy, grid-friendly texture is desirable.
The tone reads confident and utilitarian, with a friendly edge created by the rounded corners and soft rectangular curves. It suggests a tech-interface and industrial signage feel, while the chunky proportions add a slightly playful, retro-digital character.
Likely designed to deliver maximum impact with a clean, modular feel: wide proportions, rounded-square forms, and simplified details that stay consistent across letters and numerals. The emphasis appears to be on bold legibility and a distinctive, systematized aesthetic that feels modern yet reminiscent of classic industrial and digital display lettering.
Distinctive details include a squarish, rounded 0 with an inset counter, a single-storey a, and a sturdy, simplified lowercase with minimal stroke modulation. The overall spacing and modular construction create a disciplined, system-like texture in paragraphs and UI-style strings, while the bold mass makes small punctuation and fine details visually secondary.