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Free for Commercial Use

Calligraphic Abdur 4 is a light, wide, medium contrast, upright, short x-height font.

Keywords: book titles, invitations, packaging, posters, editorial, classical, literary, artisanal, gentle, refined, elegant tone, handmade feel, classic display, readable texture, traditional charm, calligraphic, flared serifs, soft curves, open counters, modulated stroke.


Free for commercial use
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This typeface presents formal, hand-drawn letterforms with a lightly modulated stroke and subtly flared terminals that suggest a pen-made origin. Capitals are broad and stately with clear, open bowls and restrained contrast, while lowercase forms are compact with a noticeably shorter x-height and smooth, rounded joins. Strokes taper into small wedge-like finishes rather than crisp slab ends, and spacing feels comfortably open, helping the irregular, human rhythm read as intentional rather than rough. Numerals follow the same gently calligraphic construction with soft curves and slightly varying widths.

It works well for display and short-to-medium text where a crafted, classic voice is desired—such as book covers, chapter openers, invitations, boutique packaging, and editorial pull quotes. The wide, open capital shapes also suit titling and signage-style applications where a calm, traditional impression is preferred.

The overall tone is classical and bookish, with an understated handmade warmth. It feels polite and composed—more “ink on paper” than decorative novelty—conveying a quiet, old-world refinement suited to literary or artisanal contexts.

The design appears intended to translate formal calligraphic cues—tapered strokes, flared terminals, and measured proportions—into a readable, non-connecting alphabet with a distinctly human cadence. It aims for elegance and approachability rather than strict historical reproduction or high-contrast drama.

Consistency is maintained through recurring tapered terminals and a steady upright posture, while slight variations in stroke angle and curvature keep the texture lively. The broad capitals and open shapes create a graceful presence in headlines, and the lighter weight prevents the page from feeling heavy even at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸