Solid Teri 2 is a very bold, wide, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, stickers, playful, chunky, retro, cartoon, toy-like, maximum impact, graphic texture, playful branding, silhouette-led, rounded, blocky, soft corners, stencil-like, notched.
A heavy, compact display face built from blunt geometric masses with softened corners and frequent angular notches. Counters are frequently collapsed or reduced to small slits, creating a solid, cut-out look in letters like a, e, g, and s, while round forms (O, Q, 0, 8, 9) read as dense ovals. Many glyphs show deliberate wedge cuts and stepped joins—especially in diagonals and terminals—producing a punchy, irregular rhythm. Spacing and letter widths vary noticeably, reinforcing a handmade, poster-like texture rather than a strictly modular system.
Best suited to short, high-impact settings such as posters, headlines, logo wordmarks, packaging, and playful branding where the solid silhouettes can read quickly. It also works well for titles in games, kids-oriented or novelty applications, and large-scale signage where the chunky forms and cut details stay visible.
The overall tone is bold and mischievous, with a playful, comic sensibility and a slightly retro sign-painting flavor. The collapsed interiors and chunky silhouettes give it a loud, attention-grabbing presence that feels friendly rather than severe. Its quirky cuts add a sense of motion and character, suggesting fun, games, and pop-culture energy.
The design appears intended to maximize impact through solid, nearly counterless letterforms while adding personality via notches and wedge cuts. By reducing interior whitespace and emphasizing sculpted silhouettes, it aims for a distinctive display voice that remains readable in larger sizes and creates a bold graphic texture in blocks of text.
Uppercase forms tend to be more emblematic and sculpted (with strong triangular/wedge decisions in A, M, V, W, X, Y), while lowercase keeps the same massy logic with simplified bowls and minimal internal detail. Numerals are built from broad shapes with small bites and slits that maintain legibility at display sizes, though the dense interiors make the texture read darker as text blocks grow.