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Distressed Rokiy 5 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Epoca Pro' by Hoftype, 'Mute' and 'Mute Arabic' by Indian Type Foundry, 'Frutiger' and 'Frutiger Arabic' by Linotype, and 'Qamari Sans' by NamelaType (names referenced only for comparison).

Keywords: posters, headlines, album art, event flyers, packaging, grunge, playful, handmade, rough, expressive, hand-printed feel, texture emphasis, display impact, rugged tone, brushy, inked, chunky, worn, irregular.


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A heavy, inked display face with uneven contours and distressed interiors that suggest rough printing or dry-brush fill. Strokes are chunky and mostly monoline in feel, with small nicks, bite marks, and occasional gaps along edges that create a textured silhouette. The letterforms are largely simple and rounded, but with noticeable irregularity in curves and terminals; counters are sometimes partially eroded, and curves can look slightly flattened or lumpy. Overall rhythm is lively and slightly inconsistent, giving lines of text a hand-made, stamped look rather than a mechanically uniform one.

Best suited for posters, headlines, and short promotional copy where texture is a feature, not a distraction. It works well for music and entertainment graphics, event flyers, packaging accents, and brand marks that want a hand-printed or street-art feel. For longer text, larger sizes and generous spacing help maintain readability.

The texture and wobble convey a gritty, DIY tone that feels energetic and informal. It reads as playful-meets-weathered—like poster lettering pulled through a worn screen or painted quickly with a loaded brush. The overall impression is bold and attention-seeking, with a casual, slightly rebellious edge.

The design appears intended to emulate rough, imperfect ink application—combining sturdy, friendly shapes with deliberate wear to create instant character. Its primary goal is to deliver high-impact display typography that feels handmade and distressed, rather than polished or neutral.

In the sample text, the distressed pattern remains visible at headline sizes and gives strong character, while the rough counters and broken edges can reduce clarity in longer passages. Numerals and capitals share the same worn, inky treatment, reinforcing a consistent display-driven voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸