Print Hydan 11 is a bold, normal width, low contrast, upright, short x-height font.
Keywords: children’s books, packaging, posters, stickers, social graphics, playful, friendly, casual, quirky, handmade, handmade feel, casual readability, playful display, friendly tone, informal branding, rounded, chunky, bouncy, soft terminals, uneven rhythm.
A chunky, hand-drawn print style with rounded forms, soft stroke endings, and a pleasantly uneven rhythm. Strokes feel marker-like with subtle wobble and slight irregularities in curvature and width that keep the texture organic rather than geometric. Counters are generally open and generous, while proportions vary from glyph to glyph, creating a lively, informal color on the line. The lowercase is compact with simple, single-storey constructions and small, unobtrusive i/j dots; numerals are similarly rounded and friendly, with straightforward shapes and soft joins.
Well-suited to playful headlines, short blurbs, and branding moments where a handmade feel is helpful—such as children’s materials, crafts and DIY themes, snack or boutique packaging, and informal posters. It can also add personality to social media graphics, invitations, and labels where friendly clarity matters more than typographic precision.
The tone is approachable and lighthearted, with a kid-friendly, crafty energy that reads as personal and conversational. Its bouncy spacing and imperfect outlines suggest spontaneity, making text feel warm and informal rather than polished or corporate.
The design appears intended to mimic quick, confident marker lettering: readable, rounded, and characterful, with just enough inconsistency to feel genuinely hand-drawn. It prioritizes warmth and personality over strict regularity, aiming for an easygoing voice in display and short-text settings.
At display sizes the irregularity becomes part of the charm, adding texture and personality. In longer passages, the variable letter proportions and loose spacing create a hand-lettered cadence that works best when a casual, expressive voice is desired rather than strict typographic uniformity.