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Distressed Kyja 2 is a bold, normal width, medium contrast, upright, tall x-height font visually similar to 'Helsinki' by Ludwig Type and 'Helvetica Now' by Monotype (names referenced only for comparison).

Keywords: posters, headlines, album covers, packaging, book covers, grunge, handmade, rustic, vintage, pulp, aged print, diy texture, poster impact, analog feel, rugged branding, rough edge, inked, stamp-like, blotchy, uneven.


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A rugged, high-impact serif with chunky proportions and irregular, broken contours. Strokes are heavy and slightly uneven, with wobbly edges and occasional nicks that mimic worn printing or ink spread. The letterforms stay largely upright with compact, blocky construction, while subtle width changes and inconsistent terminals add a handmade rhythm. Serifs are sturdy and simplified, often appearing chipped or smeared, giving the shapes a tactile, stamped impression.

Best suited for short-to-medium display settings where texture is part of the message: posters, headlines, title treatments, album artwork, and packaging. It can also work for logos or badges that want a distressed, analog feel, especially when paired with simple supporting text. For long body copy, the heavy texture is likely to feel dense unless set large with generous spacing.

The overall tone feels gritty and analog, like a weathered poster or a distressed rubber-stamp imprint. Its rough texture suggests age, friction, and physical process—evoking DIY craft, industrial ephemera, and gritty editorial headlines. The voice is assertive and attention-grabbing, with an intentionally imperfect, humanized edge.

The design appears intended to deliver a bold serif voice with deliberate wear and print artifacts, prioritizing personality and tactile realism over pristine geometry. Its consistent distressing and sturdy letter skeleton suggest it was built to emulate aged print or stamped lettering while remaining legible in impactful display use.

In text, the distressed detailing stays prominent, especially in curves and inside corners, which creates strong character but also adds visual noise at smaller sizes. Uppercase forms read as bold signage, while the lowercase keeps the same rugged texture and compact stance, maintaining consistency across mixed-case settings. Numerals match the chunky, worn construction and hold up well in display contexts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸