Sans Superellipse Daza 14 is a light, wide, monoline, upright, normal x-height font.
Keywords: ui labels, app branding, tech packaging, headlines, wayfinding, futuristic, technical, minimal, clean, playful, modular geometry, digital clarity, friendly tech, rounded, geometric, squared, airy, smooth.
A geometric sans with rounded-rectangle (superellipse) construction and consistently softened corners throughout. Strokes are uniform and open, with generous internal counters and a slightly expanded footprint that gives letters a roomy, airy stance. Curves tend to resolve into flat-ish terminals rather than pointed joins, and many glyphs use squared-off bowls and rectangular apertures, producing a clean modular rhythm. Numerals and lowercase share the same smooth, monoline logic, with simple forms and clear separation between straight segments and rounded transitions.
It suits interface typography, product labeling, and tech-oriented branding where a clean, modular voice is desired. The wide, open forms work well in short headlines, navigation labels, and signage/wayfinding, especially in layouts that benefit from a spacious, contemporary feel. It can also serve as a distinctive display sans for posters or identity systems that lean futuristic but friendly.
The overall tone feels modern and tech-forward, with a friendly softness from the rounded corners. Its modular geometry suggests digital interfaces and engineered products, while the open spacing and smooth curves keep it approachable rather than austere. The result reads as contemporary, streamlined, and lightly playful.
The letterforms appear intended to translate rounded-rectangular geometry into a cohesive, readable sans, balancing strict modular construction with softened corners. The design aims for a contemporary digital sensibility and consistent rhythm across uppercase, lowercase, and numerals while maintaining an approachable, polished character.
The design emphasizes clarity through open counters and simplified shapes, favoring rounded-square bowls over purely circular forms. Distinctive constructions (like the peaked, angular lowercase v/w and the squared, rounded bowls in B/D/O/Q) reinforce a coherent, system-like aesthetic across cases and figures.