Sans Superellipse Vodo 5 is a regular weight, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, branding, logos, ui titles, futuristic, techno, sci‑fi, sleek, mechanical, tech aesthetic, display impact, geometric system, interface styling, rounded corners, monoline, extended, modular, geometric.
A wide, monoline sans built from rounded-rectangle and superellipse forms, with squared counters softened by generous corner radii. Strokes keep an even thickness and end in clean, flat terminals, producing a crisp, engineered rhythm. Curves are controlled and boxy rather than circular, and diagonals (notably in K, M, N, V, W, X, Y, Z) are sharp and planar, reinforcing a constructed, modular feel. Figures follow the same squared-rounded logic, with a slashed zero and horizontally segmented 2 and 3 forms that read as display-oriented.
Best suited to headlines, posters, packaging, and brand marks where a tech-forward voice is desired. It also works well for UI titles, dashboards, and on-screen labels where its squared-rounded shapes echo interface components and hardware aesthetics. For long-form reading, it will be most comfortable when used sparingly as a display accent.
The overall tone is futuristic and technical, evoking digital interfaces, industrial labeling, and sci‑fi hardware. Its wide stance and rounded-square geometry feel confident and streamlined, with a cool, contemporary character rather than a humanist or editorial one.
The font appears designed to deliver a consistent sci‑fi/industrial aesthetic through superellipse construction, prioritizing a distinctive silhouette and repeatable modular geometry over traditional text-book proportions. Its wide proportions and engineered details suggest an emphasis on impactful display use and clear, system-like styling.
The design relies on repeated geometric motifs—rounded rectangles, long horizontals, and clipped joins—creating strong internal consistency across cases and numerals. In dense text settings the extended width and distinctive segmented details can become visually dominant, which suits short lines and larger sizes best.