Print Vadoj 1 is a regular weight, narrow, medium contrast, upright, very short x-height font.
Keywords: children’s books, greeting cards, packaging, posters, craft branding, playful, storybook, handmade, friendly, whimsical, handwritten mimicry, friendly tone, playful display, human texture, rounded, bouncy, loopy, casual, lively.
A casual hand-drawn print with slightly wobbly strokes, softly rounded terminals, and gentle tapering that suggests a pen or brush. Letterforms lean on simple, open shapes with occasional loops and hook-like finishes, creating an uneven, organic rhythm. Capitals are tall and airy with varied widths and generous curves, while lowercase forms are compact with small counters and short ascenders/descenders, producing a noticeably petite lowercase presence. Numerals follow the same informal construction, with simplified, flowing forms and light irregularities that keep the texture human and lively.
Well suited to titles, headings, pull quotes, and short paragraphs where an informal, friendly voice is desired—such as children’s publishing, greeting cards, café-style menus, artisanal packaging, and playful posters. It can also work for labels and social graphics when you want a handwritten feel without connected script.
The font conveys a lighthearted, approachable tone—more charming than formal—evoking handwritten notes, children’s materials, and whimsical display typography. Its imperfect consistency reads as intentional and personable, adding warmth and a sense of craft to short text.
The design appears intended to emulate neat but naturally imperfect hand printing, balancing legibility with expressive, drawn character. Its tall capitals and compact lowercase create a distinctive typographic color aimed at charming, personality-forward display use.
Stroke contrast is modest and driven by natural pen pressure rather than strict calligraphic logic, so curves and joins feel fluid but not rigidly structured. Spacing and proportions vary slightly from glyph to glyph, which enhances the handmade character and works best when that irregularity is part of the intended voice.