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Free for Commercial Use

Sans Superellipse Ikdil 10 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Dic Sans' by CAST, 'Muller Next' by Fontfabric, 'Allotrope' by Kostic, 'LFT Iro Sans' by TypeTogether, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, playful, chunky, retro, friendly, punchy, attention grabbing, friendly display, retro flavor, logo ready, signage clarity, rounded, soft corners, bulky, compact, bouncy.


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A very heavy, rounded sans with blocky superellipse construction and softened corners throughout. Strokes are consistently thick with minimal modulation, and many counters are small and tightly enclosed, creating a dense, high-impact texture. Curves feel slightly squashed and sculpted rather than perfectly geometric, and terminals are broadly flattened, giving letters a cut-out, poster-like solidity. Numerals and capitals carry the same bulky rhythm, with distinctive notches and angular breaks in a few joins that add personality without turning into ornament.

Best suited to large-scale applications where its mass and rounded forms can read cleanly: posters, bold headlines, packaging, storefront or event signage, and logo wordmarks. It can also work for playful UI labels or social graphics when set with generous size and breathing room.

The tone is bold and approachable, with a cheerful, slightly cartoonish energy. Its chunky silhouettes and tight counters evoke retro display lettering and attention-grabbing signage, reading as confident and fun rather than refined or technical.

The design appears intended as a high-impact display sans that combines geometric, rounded-rectangle forms with a friendly, retro-leaning personality. It prioritizes strong silhouette and immediate presence, aiming to be memorable and readable in short, bold statements.

The overall color is very dark on the page, so spacing and counters do much of the readability work; at smaller sizes the enclosed shapes can begin to fill in visually. The design’s rounded-rectangle logic stays consistent across uppercase, lowercase, and figures, helping it hold together in short bursts of text despite its strong display character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸