Sans Normal Kenis 5 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks, 'Humanist 521' by Bitstream, 'Delargo DT' by DTP Types, 'Gill Sans Nova' by Monotype, 'Humanist 521' by ParaType, and 'Monsal Gothic' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, packaging, sporty, energetic, modern, assertive, friendly, emphasis, motion, impact, modernity, approachability, rounded, oblique, geometric, compact, crisp.
A heavy, oblique sans with rounded geometry and smooth, continuous curves. Strokes are largely monolinear with minimal modulation, producing an even, solid texture. The letters lean consistently to the right, with broad bowls (O, Q) and compact apertures that keep counters relatively tight in the lowercase (a, e, s). Terminals are clean and mostly squared-off where strokes end, while joins are sturdy and simplified, giving the face a robust, contemporary rhythm. Figures match the letterforms in weight and stance, with a plain, readable construction and a prominent, balanced “8.”
Best suited to headlines, branding, and promotional typography where the oblique stance and heavy color can carry a message quickly. It will also work well for sports-leaning identities, packaging callouts, and display-size UI or signage where bold emphasis and a modern, rounded sans voice are desired.
The overall tone feels energetic and forward-moving, combining a sporty italic slant with a friendly roundedness. Its weight and compact counters read as confident and attention-grabbing, suitable for messaging that needs impact without feeling sharp or aggressive.
The design appears intended as a contemporary display sans that delivers motion and emphasis through a pronounced oblique angle, while retaining approachability via rounded curves and simplified, geometric construction.
Uppercase forms are straightforward and geometric, while the lowercase keeps a compact, slightly condensed feel due to tight openings and strong stroke mass. The oblique angle is strong enough to suggest speed and emphasis, helping short words and headlines feel active.